There's a certain time of the evening; long enough after sunset for the twinkle of street lights and and transmission towers; not yet late enough for the first stars to appear.
A time when silhouettes are backed by the fading blue hues of the day tinged with green, orange and grey.
Welcome to the twilight zone.
Photo: Robert Rath, 'The Twilight Zone' 10s f/14 ISO160 15mm
'Air Time' might seem an odd name for this image but it seemed appropriate as I come up for ,air so to speak, from my underwater images.
We are fortunate here in having the diversity of weather which helps in creating dramatic images. Sunsets are obvious of course but when ever there is heavy but patchy cloud and the sun low in the sky the light will be gorgeous and everything looks wonderful.
Photo: Robert Rath, 'Air Time' 1/4000s f/11 ISO160 200mm
Another first for me. Finally after years of diving I have finally found Veronica.
I called her Veronica as it is an anagram of Verconia verconis, her real name.
She has no common name as is the case with most of our beautifully weird and wonderful sea critters. Unless they are commercially significant or in the popular mind then creatures like Veronica never get a simple name, forever to be known only by some tongue twisting phrase of Latin.
Another wonderful find under Port Hughes Jetty, South Australia.
Photo: Robert Rath, 'Veronica' 1/125s f/13 ISO320 100mm
Filmed under Port Hughes Jetty, South Australia this amazing display of octopus mating behavior with one male defending his access to a female against another male's advances was an unexpected surprise.
I shared this extraordinary encounter with diving friends Alex Sutandio, Mike Rowlands and Robert Paton.
I love what I do in the corporate world, expressing my creativity with solutions to problems painted in ones and zeros and control structures and and arcane languages.
I love what I do in my visual world painting with light and tones which I have gathered as images from my local environment.
I am lucky and grateful to be immersed in both.
Photo: Robert Rath, 'Painted by the Light' 8s f/16 ISO200 15mm
I called this image 'Reception' for no other reason than it is the main reception entry to Mount Lofty House where a few of us spent a very pleasant afternoon with local photographer Hilary Hann sharing insights into her images, her travels and her thoughts on the 'art' of photography.
I first noticed Hilary's work a couple of years ago and while not a big fan of wildlife photography, her images moved me with an other-worldliness feel. As if raised from the mundane to some mythical status it was easy to imagine I was looking at a landscape lost in time, remembered as something precious and perhaps even lost. In her work I felt feelings of awe, admiration, wonder and even loss and grief.
Hilary's work can be found at her website http://hilaryhann.com.au/ but nothing beats a real printed and framed image.
At the end of the afternoon I did what any self respecting photographer enthusiast would do... click
Photo: Robert Rath, 'Reception' 2s f/8 ISO160 15mm
I found this beautiful mineral specimen recently while exploring the historic Barossa Goldfields.
The most obvious thing about this mineral specimen is of course the gold but when I thought about it a little more I realised that symbolically the ironstone and quartz represented perhaps the real value.
Without iron the world would have been a very different place and without the silicon we may never had miraculous technologies that the microelectronics industry has created.
So what about the gold? Funnily enough gold is also a very important part of microelectronics and other industrial processes.
Put into perspective, this mineral specimen is a great symbol of our industrial, technological and aesthetic world.
Photo: Robert Rath, 'Industrial Gemstone', 15s f/11 ISO100 200mm
Sultana Point Lodge where we stay in Edithburgh has a long history from the early 1900s as a holiday boarding house to more recently being a beautifully renovated and cosy retreat for divers and non divers who just like get away for a while.
While relaxing one evening with cameras at hand my friend Gavin decided to photograph one of the living space decorations and when I chose to capture the very same image I was flatly told that I was not to post my image until he did.
So Gavin has now posted his version on his site, ‘What’s My Seen?’, and here is mine.
I love how two photographers standing in the same spot with the same gear in the same light will capture two different images.
Photo: Robert Rath, ‘Fishing For Shadows’, 10s f/22 ISO160 210mm
This bizarre looking sea sponge in the sea grass beds off Edithburgh Jetty reminds me of a a cross between a diseased heart and a human brain.
It really does look like something that has been recently extracted from an animal and dumped on the ocean floor.
Oddly enough this strange looking form is actually an animal after all and will have spent some part of its childhood free swimming in the sea until it chose its permanent home.
Photo: Robert Rath, 'Sponge Bob' 1/160s f/7.1 ISO640 15mm
The last time I saw one of these critters was also on a post midnight night dive under Edithburgh Jetty a few months ago.
This time however the conditions were a little more inviting without the 15knot onshore winds. As always there was plenty to see and make the effort worthwhile.
Nudibranchs, also known as seaslugs, are fun to search out and photograph. They make ideal subjects (once found) as they tend to move quite slowly as they go about foraging for food.
This guys is called Doriopsilla carneola and it's not really glowing in the dark. As it has lifted up its front some light has hit its underside resulting in the luminous glow.
I like this image as the unusual pose has created the impression of a big pair of orange lips puckering for a kiss.
Photo: Robert Rath, 'Puckering Up' 1/100s f/14 ISO320 100mm
I can't believe it has been nearly eight years since I last photographed a shrimp!
It should have been an easy one to identify but really I am stumped. The best I can come up with is some species of Rhynchocinetes.
There is little spot under Edithburgh Jetty, a jumbled clump of concrete blocks, where these guys seem to particularly like hanging out. Now that I know I will be back with barbie in tow. Well actually probably not!
Photo: Robert Rath, 'Shrimp for the Barbie', 1/100s f/14 ISO320 100mm
This little guy is a Tasmanian Clingfish, Aspasmogaster tasmaniensis, which would make him a long way from home here under Edithburgh Jetty.
In fact judging by the number of these clingfish I see here I think the entire 'Apple Isle' population must have emigrated. All humor aside I find it strange that many critters have names pinning them to some location when in fact they are quite widespread.
The thing I adore about clingfish is that they always look like they are smiling and they make me smile too every time I see one.
Photo: Robert Rath, 'Clingy', 1/100s f/14 ISO320 100mm
When is an animal truly primal? Does having eleven arms, a prime number, count?
Prime numbers are actually quite common in plants but seem wrong in the animal world.
Our Oceans' Eleven and and Edithburgh resident, the eleven-armed sea star, Coscinasterias muricata, is our largest starfish and is as primal as they come!
Photo: Robert Rath, 'Ocean's Eleven Again' 1/160s f/7.1 ISO640 15mm
The Blue Ringed Octopus, Hapalochlaena maculosa, is one of the deadliest creatures in the sea with a venomous bite that can kill a human.
Normally they are not seen during the day so a night dive under Edithburgh Jetty is a good way to find one if you really want to.
On this particular dive I counted four out hunting in the rubble and curiously they all had their famous blue rings subdued to gentle blue flecks.
Normally very timid they did not seem the slightest bit perturbed by my lights and camera as they went about their business hunting.
It was common to see as in this case two front legs extended as they waited to ambush some unsuspecting passerby.
Photo: Robert Rath, 'Bluey' 1/100s f/20 ISO160 100mm