Entries by Robert

An opportunity, a cheeky grin, a peek through thousands of negative images on long strips of celluloid.

The irony is that this image will never experience the physical reality of silver rendered in film.

Instead these photons were transformed into minute pockets of electric charge then carried away on structures of aluminium, gold and poly-silicon to be stored again elsewhere.

Copied, uploaded, mathematically manipulated, archived, download and finally rendered in the memory of something I once viewed on a screen I once owned.

Though I miss the real physicality of silver in celluloid, I'd miss making images of cheeky grins more.


Photo: Robert Rath, 'Peeking Through Celluloid', 1/25s f/4.5 ISO100 125mm

What's black and turns heads?

... This!

Photo: Robert Rath, 'M', 1/30s f/5 ISO400 24mm

Shrouded behind veils of patchy cloud an impossible challenge is to capture the details of the lunar surface as well as the intricate details of wispy cloud.

In the end a compromise was to over expose the moon, to under expose the clouds and do my best to get detail in both.


Photo: Robert Rath, 'Veiled Moon', 1/5s f/4 ISO640 200mm

Like an omen of the evening unfolding the oval moon rose orange in the east.

From our vantage of the Palmer Lookout a group of us had gathered to witness the blooding of the moon to come.


Photo: Robert Rath, 'Blood Moon Offering', 1/80s f/2.8 ISO640 200mm

Tonight we experienced the work of Trent Parke and his 'Black Rose' exhibition at the Art Gallery of South Australia.

Trent's exhibition is extraordinary. Not an exhibition of extraordinary images but an an extraordinary collection of images.

To be frank there were many images I would not look twice at but as a collection there was something much, much bigger than I could get my head around.

Trent Parke's images are not just someone else images but a body of work worth making the effort to experience.


Photo: Robert Rath, 'Someone Else's Images', 1/80s f/2.8 ISO640 200mm

It promised to be a great sunset last night until it turned out not to be.

So I hung around for the twilight colours and it was just magic looking north towards Henley Beach jetty in the distance..


Photo: Robert Rath, 'Twilight', 1.6s f/13 ISO640 15mm

It's been a while since I have captured a 'down the line' image of Henley Beach Jetty so a while's now up.

As always this kind of shot results in lots of water on me and the camera. So much so that I am thinking of designing a tripod with legs that can take the powerful surge as the water rushes past.

OK, a project for later later on!


Photo: Robert Rath, 'Down The Line', 4s f/16 ISO640 15mm

It was a stormy evening down at Henley Beach with a rough sea, a stiff breeze and an amazing sky. Perfect for capturing some images.

I got wet, my camera got wet, ... over and over. I ran out of tissues continually trying to dry the salt water from the lens and the tripod kept getting dislodged as each surge of water crashed into it

What began as a series of bracketed images ended in near disaster as the foreground and nearly the camera was swept away.

Did I have fun this evening? You bet I did.


Photo: Robert Rath, 'Flow Motion', 2.5s f/16 ISO50 15mm

I know the rules say 'no bikes on the jetty' but they are not so clear about being on them or not.

Given the ambiguity I see no point in 'walking' a perfectly good bike.

Clearly this is no selfie!


Photo: Robert Rath, 'Walking The Bike', 1/100s f/2.8 ISO640 200mm

I crept slowly towards them. Keeping low. Keeping quiet.

I stopped and watched patiently. Keeping still. Keeping silent.

Then one from the crowd got spooked by a sound and quickly the others caught on.

The need was now gone so be stealthy today so I clicked as they all flew away.


Photo: Robert Rath, 'Flew Away', 1/1600s f/2.8 ISO320 200mm

Sunday night was the last night of the Adelaide Fringe Festival and locals, artists and visitors we out in force to make the most of it.

Normally sleepy on a Sunday evening it was so cool to feel the party vibe here at the Croquet Club. I'm sure it was just the same at the Garden of Unearthly Delights and at the other Fringe Festival venues.


Photo: Robert Rath, 'Last Evening At The Croquet Club', 1/500s f/6.3 ISO320 15mm

It looked like it was going to be a sunset full of colour and structure and all those things we love about spectacular sunsets.

The sky it seems had other ideas as Henley Beach said goodnight to the setting Sun behind layers of cloud.

All that was left was the tell tale red glow of the Sun's passing below the horizon and the silhouette of a couple out for an evening stroll.


Photo: Robert Rath, 'Evening Stroll', 1/50s f/7.1 ISO500 15mm

Reflecting on a time long gone on the old Adelaide trams where you had to stand and could chat with the driver (if you were up the front) as you undertook your journey.

Now the driver sits behind an armored door in front of a panel of blinking lights and digital displays as we ride patiently in our seats.


Photo: Robert Rath, 'Reflecting on a Tram Ride', 1/60s f/2.8 ISO800 70mm

I loved a moment in the opening scenes of the movie 'Contact' with Jodie Foster; quoting Ellie's Dad; "Small moves, Ellie, small moves".

With my very own small moves I'm exploring a direction of photography which has always inspired me, amazed me and humbled me, our incredible night sky.

Following the first steps of many astro-photographers my first deep sky project is to create a half decent image of the Orion Nebula. Well this is not it!

This is however the first image I am willing to show of my progress captured from my own backyard into a suburban light polluted sky.


Photo: Robert Rath, 'Small Moves to the Orion Nebula', 30s x30 f/5.6 ISO320 200mm

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I've captured these big round rocks outside the InterContinental Hotel on North Terrace before but this time looking into the windows of the old Adelaide Railway Station.

For no other reason than 'just because', I feel compelled to dedicate this image to Terry Pratchett whose infectious whit and unlikely characters will stay in my heart forever. Thank you.

Can't you feel DEATH lurking in the shadows just off to the left!


Photo: Robert Rath, 'Lurking in the Shadows' 2.5s f/7.1 ISO100 15mm

Just a man in the ocean or just a silhouette taking in the amazing canvas left by the retreating sun. What better place to be.

Summer may have left us for now but painted skies, silhouettes and our beautiful beach will stay.


Photo: Robert Rath, 'Just a Silhouette' 1/5 f/16 ISO640 15mm

When I captured this image of a group of young people having a wow of a time on the rides in the Garden of Unearthly Delights I thought nothing more other than rides and colour and fun.

Later my daughter while looking over my shoulder exclaimed she recognised some of these people from the Adelaide Fringe Festival play, 'Blood at the Root'.

Honest I was not playing paparazzi but since learning a little more about this acclaimed and award winning play out of Penn State University (U.S.A.). I might just make an effort to see it before the Fringe Festival comes to a close this weekend.


Photo: Robert Rath, 'Fun Far From Home' 1/160 f/2.8 ISO1600 200mm

That iconic store has been open for business in Adelaide for quite some time now and I have only been inside for closer look one time.

I do however love looking through the glass at all the shiny Apples lined up in a row and I love the impact Apple has had on our lives.


Photo: Robert Rath, 'More of Them Apples' 1/320 f/4 ISO1000 182mm

Watch the antics on the croquet fields of the Croquet Club and you'd wonder why the umpires aren't keeping better control.

I watched for a while and came to the conclusion that even though these croquet umpires and players shared the same field they were playing completely different games.


Photo: Robert Rath, 'Croquet Umpires' 1/400 f/2.8 ISO2500 105mm

The Rundle Mall Fountain is over 100 years and flowing strong despite the lack of recent rain.

Ornate and representative of an early part of Adelaide's history this fountain has not always lived in its current location in from of the Adelaide Arcade.

As a youngster we would use 'The Fountain' as a designated meeting place at the intersection of Rundle Street and Gawler Place".

The 'Mall's Balls' have now replaced that old role but it is still good to see the old fountain alive and flowing.


Photo: Robert Rath, 'Rundle Mall Falls' 1/160 f/2.8 ISO1000 100mm

Some people can find the most odd places and times to get online.

While strolling down Hindley Street on the way back from a show I spied this surfer grabbing a bit of online goodness in a cosy side-street nook.

I hope he found what he was surfing for.


Photo: Robert Rath, 'Urban Surfing' 1/30 f/2.8 ISO1000 115mm

If someone had told me that two guys on their own could pull off a respectable live performance of the entire Mike Oldfield's Tubular Bells album I would have scoffed at them.

Aidan Roberts (pictured) and Daniel Holdsworth took me on an amazing journey back to a time when my first ideas in music were being formed and they did it convincingly.

I tip my hat to you both!!


Photo: Robert Rath, 'Tubular Bells' 1/320 f/2.8 ISO1600 155mm

The tables were set, the kitchen readied as they huddled over their plans ensuring all was in place for the onslaught to come.

So who won the battle? We all did at Press* on Waymouth Street, Adelaide CBD.


Photo: Robert Rath, 'Preparing for Battle' 1/100s f/2.8 ISO1600 145mm

She's on a mission, a mission to walk!


Photo: Robert Rath, 'Power Walker' 1/160s f/16 ISO100 15mm

Back at the Garden of Unearthly Delights there are plenty of people not interested in the shows, in the stalls or the festivities.

Down the back where the rides are, you'll find that boys just want to have fun!


Photo: Robert Rath, 'Boys Just Want to Have Fun' 1/400s f/2.8 ISO1600 70mm

Ever wondered what a scuba diver looks like underwater during an uncontrolled laughing fit?

I'm not sure what I did to make Alexius laugh like this but I can be sure his hysterics cost him at least 10 minutes of air supply.

In any case it made for a great photo opportunity.

Those technically inclined photographers will appreciate the issues with an image like this one with bubbles and buckles full of specular highlights, skin tones and the deep black details of the wetsuit.

Otherwise have a think and a giggle yourself about what got Alexius into this state.


Photo: Robert Rath, 'Alexius' 1/400s f/7.1 ISO640 15mm

Oh how people change when they are in front of a lens!

Some people turn the other way

Some people ham up the glam.

Some people run and hide.

Some people enfuse with pride.

And some people just become total ejits!


Photo: Robert Rath, 'Goofing Off' 1/60 f/2.8 ISO160 200mm

As the sun sets with certainly, as another day passes on, as clarity is lost and memory fades, holding onto the rail will not save you.


Photo: Robert Rath, 'Holding On To The Rail' 1/100 f/4.0 ISO160 182mm

Beachside Glenelg and most people are looking at the gorgeous sunset, snapping away at the horizon or at themselves as it the current trend.

I looked up and saw a different ocean.


Photo: Robert Rath, 'Surfing a Celestial Wave' 1/2500 f/2.8 ISO160 102mm

This little guy the size of my thumbnail was happy to cruise around hunting for food on the reef quite unnoticed as I sat patiently waiting for the perfect angle on some other less interesting creature.

While peering through the viewfinder this lump of moon rock literally slid into the frame.

I still do not know what kind of nudibranch this little guy is but I affectionately named it based on the crater pocked surface of its skin.

Photo: Robert Rath, ‘Moonbug’ 1/100 f/14 ISO320 100mm