Robert's Ramblings

When I first started preparing this image I was not sure which way to take it.

There is a lot going on and I am still not sure if it is all too busy. All my attempts to draw the eye to one subject seems to fail as I found my eyes tracing circles around the water. Framed by the bridge, the path, the horizon and the wall.

In the end I just decided that it didn't really need to have a main subject after all.


Photo: Robert Rath, ‘Day 510, Tracing Circles' 20s f/8.0 ISO160 15mm

No sooner had I decided on a title for this image and I had Abba songs coming to mind!

Perhaps the recent Eurovision Song Contest had a little to do with it as well! In any case this image really has nothing to do with any of those! I have collected a few aircraft images so far but not really tried to tackle anything really interesting. The idea of capturing aircraft in silhouette does however intrigue me, especially the technical difficulty in getting a sharp moving object while still conveying movement.

This image has achieved some of my goals but I am not sure I like the propellers frozen as if flying with no engines. The shutter speed was very fast which was great to lock in the plane but I think to get a decent amount of movement blur in the props I might have to drop it down to somewhere around the 1/200-1/100s. I suppose I should do the the maths first though and try and nail it first go next time.


Photo: Robert Rath, ‘Day 509, Arrival' 1/3200s f/2.8 ISO640 200mm

Our sea grasses are a very important part of the local coastal ecosystem. As well as providing important habitat for many creatures unique in the world to our southern shores they are also important nurseries for commercial fish species.

My very first encounter with our coastal sea grass took place in a scene very similar to this one. Piles and piles of washed up and rotting dark matter turned amusement park as we built fortresses and tunnels from the towering mounds. By the end of the day we were covered in black, green and brown fragments of squished rotting matter mixed with sand and we stank.

I miss those days!


Photo: Robert Rath, ‘Day 508, Seaweed Dreams' 5s f/11 ISO800 15mm

According to common expression, the last thing you would want is to be 'led up the garden path'.

Unless of course there is a well stocked bar, a cosy fire and a live band up there. Which there was!

So much for common expression...


Photo: Robert Rath, ‘Day 507, Up The Garden Path' 1/6 f/10 ISO500 15mm

The last tenuous rays of an already set sun catch the tail of Corporate Aircraft Charter's Beech 200 BB-1150 (VH-URU) as it prepares to land at Adelaide Airport.

I discovered a little incident 5 years ago where this very same plane become the spectacle of the day by landing here on its belly when the pilot could not get the landing gear down. To make matters worse half of Adelaide's aircraft enthusiast community were there to see the first arrival of the new A380. They got more than they bargained or had hoped for that day!

It's funny the things I learn about the images I create.


Photo: Robert Rath, ‘Day 506, Lights and Landing Gear Down' 1/1250 f/2.8 ISO640 200mm

This weekend we were privileged to share in the wedding of two of our very dear friends.

The location was kept secret and as late afternoon became evening we were whisked away on a chartered bus to enjoy a wonderful evening.
The McLaren Vale winery 'Maxwell Wines' turned out to be the secret venue and the evening was perfect in every way.

Thank you Christine and Wayne. Your ceremony was sincere and beautiful, the food and wine exquisite and the dancing fun.


Photo: Robert Rath, ‘Day 505, Wedding Dance' 2.5 f/10 ISO1600 15mm

The afternoon sunlight during late autumn and winter add a golden magic to images made with evening approaching.

This image shows that beautiful combination of yellow light from the setting sun and dark greys of the sky. This is another example of using a fish-eye lens for a landscape by placing the horizon right in the middle of the frame and then cropping a little of the bottom away to give some compositional interest.

Oh, and as I have mentioned before, I love jetties.


Photo: Robert Rath, ‘Day 504, Golden Light' 1/13 f/18 ISO100 15mm

Time and time again I am drawn to jetties.

Historically the role of jetties is quite clear in being a way for boats and ships to operate out of a beach with a gradually sloping sea bottom. I suspect that the re recreational thing just evolved from there. For most jetties now on our our South Australian coastline, their only role is recreational.

I think the thing that most people love about being on a jetty is the way it transports you to a place out over the water without losing the feeling of security of being on land.

When ever I visit someplace new and there is a jetty in sight the first thing I do is go for a stroll along the jetty, peer out to sea or across the water and then look back at scene I know I wont get any other way.

Yes, I love jetties.


Photo: Robert Rath, ‘Day 503, Autumn Grange Jetty' 1/4 f/11 ISO160 15mm

I often wonder what is on board a ship I see on the distant horizon.

In this image I captures a second smaller vessel cruising past the larger container ship. It was moving a quite pace as it seemed to race by the larger ship.
With the dramatic sky behind it made for quite an evening spectacle.


Photo: Robert Rath, ‘Day 502, Ships On The Horizon' 1/250s f/6.3 ISO640 200mm

I have been back to this same location a few times now to try and capture one specific image.

Each time the light was not right due to the recent heavy cloud and unpredictable light around sunset. I have seen the image I want to capture a few time while driving but never at the same time as an opportunity to capture it.
So with pun intended I will keep you in the dark until I do get the right light and I took this image instead looking in the opposite direction.


Photo: Robert Rath, ‘Day 501, Duck Pond' 0.4s f/13 ISO320 17mm

I watched for some time as this man stood leaning over the railing. He was already there when I arrived late in the afternoon.

I wondered what he wondered about up there on the jetty staring down into the water. Perhaps it was more of an idle curiosity than a true wondering but then I was on a mission to observe and create and he unwittingly had become the subject of my creation. Most of my wondering was really about composition and lighting and f-stops and exposure. I did wonder if he had even noticed me and if he minded being in the image but felt no great compulsion to ask.

It was dark after I left and he was still there, wondering upon the tide.


Photo: Robert Rath, ‘Day 500, Wondering Upon The Tide' 1/40s f/18 ISO100 15mm

When I was child 'Mother's Day' was a special occasion to make a big fuss about our Mum with flowers, presents and breakfast in bed.

I remember a time later in life when I had become cynical of these 'invented' occasions and the commercial hype and activity that sought to wring every last dollar out of out pockets.

Time changes perspectives and now these invented occasions serve as a poignant reminder of why it is so important to make each other feel important and never take anyone in your life for granted. Today we gave this beautiful pink cyclamen to my mum but in some way in our hearts it is for all out there who are mothers, aspire to be mothers, never had the chance to be mothers and who find themselves being mothers.

Never forget and use any excuse to celebrate the important people in our lives. Happy Mother's Day Mum.


Photo: Robert Rath, ‘Day 499, A Cyclamen For Mum' 1/400s f/2.8 ISO640 100mm

I often hear about 'the golden hour', that last hour before sunset where everything becomes bathed in the soft remaining sunlight.

Sure this is a lovely time to create images but then there is that last 2 minutes. It begins the moment the sun touches the horizon, the last moment when full face of the sun shines its yellow light on the landscape. This is the brightest yellow and most horizontal the light will get. Actually at this point the sun has already dropped below the horizon. It is only still visible due to refraction and the sun's rays being bent by the earth's atmosphere.

From this moment the light begins to dim and the yellow begins to fade. One minute later the sun is sitting as a semicircle on the horizon and the colours in the landscape begin to cool towards the grey blues of twilight. After two minutes the sun finally dips below the horizon and the landscape's transition from yellow-orange to blue is complete.

A two minute window to capture this is not long, but not so short that you can't enjoy the experience and take photo.


Photo: Robert Rath, ‘Day 498, The Last Two Minutes' 1/13s f/9.0 ISO125 15mm

Today's annular eclipse probably went completely unnoticed, at least here in Adelaide anyway!

For those in the Northern part of Australia and living within the 150Km wide transit path the experience would have been a surreal soft yellow ambiance. For those actually observing the eclipse they would have seen the moon fitting neatly inside the the sun creating a fiery donut of light in the morning sky.

Here in Adelaide we only got to see a 33% partial eclipse. As I was capturing this image a high school student walked by. I showed him the eclipse in the camera display and he was dumbfounded how nothing around hinted at what was happening tin the sky.

If only there were a way to show both the sun and the moon in the same frame rather that just its silhouette. Still I think this image is dramatic enough on its own with surface texture and sunspots visible.

More about today's annular eclipse can be found at http://eclipse.gsfc.nasa.gov/OH/OH2013.html#SE2013May10A


Photo: Robert Rath, ‘Day 497, An Odd Shadow' 1/8000s f/32 - ND ISO160 400mm

More and more I am noticing the role reflections have on composition and bringing a dynamic element to a scene.

It is funny how the brain works. Most of the time it sees what it believes is there and the uses the visual input to validate it rather than the other way around. When water is perfectly still I find myself marveling in the beautiful reflections but is there is just a little bit of surface disturbance the entire scene reverts to normal and the reflection goes unnoticed.

Here is where a photograph is different. Now even quite poor reflections become very important in creating the scene, the feel and the sense of a reality. Here in this image of the Seaview Road bridge over the Torrens River these soft reflections, though not perfect, provide what feels like to me a strong but gentle counterpoise to the complex and almost harsh detail being reflected.

Or maybe all you see is a bridge!


Photo: Robert Rath, ‘Day 496, On and Out To Sea' 0.6s f/7.1 ISO160 15mm