Entries by Robert

Finding a place to eat late at night in Adelaide is a real challenge!

We'd just had a great night out at the 'Lee Marvin Readings' and were ready to head out to dinner. The trouble was that it was 10:30pm on a Tuesday evening! Spats to the rescue!

Spats on King William Rd is one of those Adelaide gems you just need to know about. I do not know of any other place were you can head out to dinner after 11:00pm on any night let alone a week night.

It's warm and cosy, a little romantic and kind of quirky with an odd assortment of tables, lounges and snugs. A great place to know about if you are night owls!


Photo: Robert Rath, '366 Days of 2012, Day 262 - Spats'. 5s (+-2stops) f/13 ISO800 17mm hdr

It's now Spring and with that comes magpie swooping season!

I remember picnics as a child where invariably we would wander past a tree with nesting magpies. Usually the very first hint comes with a whoosh of air from behind causing you to duck for fear of magpie talons engraving furrows on the back of you head.

Yes this magpie did swoop me but at least it posed for a photo first!


Photo: Robert Rath, '366 Days of 2012, Day 261 - Da Boss'. 1/640s f/2.8 ISO320 200mm

I suspect that just like me, other photographers enjoy camera spotting!

Today Jennifer and I participated in Adelaide's 'City to Bay' charity fun run event and as you can imagine at any event like this the photographers are out in force. The perfect opportunity for camera spotting.

This image is my prize for the day, my first Canon EOS-1D X, spotted in the wild so I decided an awesome image was need for a such an awesome camera!


Photo: Robert Rath, '366 Days of 2012, Day 260 - 1DX in the Wild'. 1/800s(+-2) f/16 ISO640 40mm hdr

"Sign, sign, everywhere a sign
Blockin' out the scenery, breakin' my mind
Do this, don't do that, can't you read the sign?"

Remember this 1971 hit from the Five Man Electrical Band?

I guess the owner of this sign doesn't either.


Photo: Robert Rath, '366 Days of 2012, Day 259 - Hillbilly City'. 1/5000 f/2.8 ISO320 200mm

Just maybe the state of this court is a winter aberration.

Just maybe summer will bring with it calls of foot fault, out, duce and love all.

Just maybe the cold asphalt warmed by a summer sun will give with the fall of Nike, Addidas or Puma.

Or perhaps this once were tennis...


Photo: Robert Rath, '366 Days of 2012, Day 258 - Once Were Tennis'. 1/640s f/3.2 ISO320 200mm

The benefits of taking a wrong exit, getting lost in the hills and stumbling on a gem!

Well that how this image came to be. I did indeed make a wrong exit off the freeway and found myself meandering through the hills finding a back way to my destination. I spied this old truck left to rust in a beautiful green field and made a mental note to backtrack on my return and capture this image.

What struck me about this image was the contrast between the lush grass and the rusty metal.

In this capture I decided to use three exposures and HDR to bring out the content in the shadows and really draw attention to the details.


Photo: Robert Rath, '366 Days of 2012, Day 257 - Left to Rust'. 1/640s(+-2) f/2.8 ISO3200 145mm

This year I took a couple of hours to wander through the fairground attractions of the Royal Adelaide Show.

One of my regrets is that lugging a back pack of camera gear around means I miss out on all but the most gentle of rides (well that's my excuse anyway)!

This image from the top of the ferris wheel made the fairground attractions seem so small; a strong contrast to the full on experience of wandering through the noisy side shows and rides below.


Photo: Robert Rath, '366 Days of 2012, Day 256 - Fairground Attractions'. 1/80s f/2.8 ISO-1600 15mm

There is something wonderful about HDR images which seem to be generating so much controversy in the photographic community.

I love the idea put forward by a well known photographer Trey Ratcliff that an image should look and feel the way you remembered it, not the way the light simply fell on the sensor!

This image looking across the entrance to the Art Gallery does just that for me; the way I remembered it!


Photo: Robert Rath, '366 Days of 2012, Day 255 - Exit Stage Right'. 1/25s (+-2) f/18 ISO-320 17mm hdr

I don't often head out into the country for my work but this time I had a special reason to get as far away from technology as possible. A visited to a special test facility out near the back of Sedan, South Australia.

The reason; to be in a very quiet environment (from radio frequency noise) for equipment testing. The drive out and back was lovely, the testing not so!

We finished near sunset so as I drove home I stopped at a nearby farmhouse ruins to capture the last rays of sunlight for the day.


Photo: Robert Rath, '366 Days of 2012, Day 254 - Last Rays'. 1/1000s f/6.3 ISO-640 70mm

For Christmas I received as a gift a pop-top can full of compost and chili seeds.

I first photographed one of the flowers of my bhut jolokia plant back on 'Day 93' when it was doing very well. A few weeks later on 'Day118' I discovered a weevil had been dining on the leaves and the plant was not looking too well. It all went down hill from there with the colder weather of winter that poor little chili went from thrive to survive.

With the weather warming no it seems to be recovering and has even bore a couple small chili peppers. They are only as big as my thumbnail and have taken months to ripen. However they have a beautiful red colour so I decided ti was time for another photo.


Photo: Robert Rath, '366 Days of 2012, Day 253 - Red Hot'. 1/200s f/32 ISO-100 100mm macro + off camera strobe

This is one Japanese with attitude!

I started taking photos of this bike I happened to notice in the university grounds and within 60 seconds the owner was out and apologising for the dirty state of his bike.

We talked about his bike at some length and it was great to hear how this toy gets used for both everyday commuting and touring. It's not just a show piece!

I was not too fussed about the grime. I think it just makes this Suzuki Boulevard all the meaner!


Photo: Robert Rath, '366 Days of 2012, Day 252 - The Boulevard'. 1/320s(+-2) f/11 ISO-320 17mm hdr

I have previously photographed the front of this building, Bonython Hall, back on 'Day 144'.

This time I have captured the imposing rear wall against a dramatic cloudy sky. By all accounts Bonython Hall is an impressive building and make for great photo opportunities. There are many more fantastic buildings here and I am looking forward to making more photographs of the beautiful Adelaide University grounds.


Photo: Robert Rath, '366 Days of 2012, Day 251 - Hogwarts in Adelaide'. 1/125s(+-2) f/11 ISO-160 17mm hdr

The outside grounds of the Adelaide Art Gallery are clean and picturesque and at first glance devoid of the stunning works to found inside.

Then I started to notice things. The outdoor art was there, subtlety woven into the construction and surrounds.

This little fish caught in the netting of a gate reminded me of the super trawler, the 'Margiris' and all the controversy surroundings its presence here in Australian waters.


Photo: Robert Rath, '366 Days of 2012, Day 250 - Something Fishy Here'. 1/125s f/4.0 ISO-320 17mm

I never get over how strange it is to see ducks fly!

Growing up I only ever experienced ducks in ponds or waddling around a yard. For some reason this idea has stayed with me long since I learned the truth that they really do fly. This image taken along the Torrens River after sunset still seems incredulous to me.

To capture this image I needed quote a fast shutter speed to render them fairly sharp in flight with minimal wing blur. I also needed a smallish aperture to get good details in the tree silhouettes and the details in the clouds. All up not an easy combination of constraints. I opted to shoot at 1600 ISO and compromise at F4.0.


Photo: Robert Rath, '366 Days of 2012, Day 249 - When Ducks Fly'. 1/1600s f/4.0 ISO-640 105mm

There's a storm brewing out there!

Our normally idyllic gulf is bringing in 2m seas and this is just the pre-frontal North Westerlies. It's going to be a wild, wild night here when the front really hits so batten down the hatches, garage doors, and windows and enjoy mother nature reminding us who really is in charge.


Photo: Robert Rath, '366 Days of 2012, Day 248 - Unforgiving'. 1/1000s f/9.0 ISO-640 105mm

Every suburb has at least a few backyards with a neglected 'one day we'll fix her up' vehicle in desperate need of some T.L.C.

I don't know much about the history of this sad old Bedford van but I do know it has not moved for years. I'm surprised it has not disappeared completely into the morning glory and long grass having long been forgotten.

Perhaps the bulldozers will arrive soon and put it out of its misery.


Photo: Robert Rath, '366 Days of 2012, Day 247 - Forgotten'. 1/(50/13/3)s f/8.0 ISO-640 15mm hdr

I really can't get enough of the ocean, the salty air and the open vista.

That being said perhaps I need to stay away from it if I want to keep my images fresh and original. Oops, too late.


Photo: Robert Rath, '366 Days of 2012, Day 246 - Henley Beach Jetty'. 1/(1600/400/100)s f/10 ISO-320 15mm hdr

This is an image I have imagined in my mind for a long time but never had the right conditions to create it until this evening.

A breathless calm evening, a nearly full moon and an hour of my time finally all came together tonight. This image is from the southern end of Westlakes Lake looking north.

It's a great feeling to be able to translate an idea for an image into reality and tonight it all came together.


Photo: Robert Rath, '366 Days of 2012, Day 245 - Silent Night'. 30s f/5.6 ISO-320 15mm

This is the last blue moon we will experience for the next 3 years.

I first tried to capture this amazing image in a single frame but the dynamic range was too wide and the white flare from the bright moon out into the clouds for the long exposure simply blew out the entire image making the image difficult to use in a normal hdr process.

The second problem I had with the clouds was that they were moving very fast and finally just to make matters worse the moon was moving in the frame as well.

In the end I decided on a bit of dark room license and decided to create the image I experienced in post. This composite of two images taken moments apart was made by combining the images using a layer mask rather than a simple hdr process.

Perhaps it's a bit surreal but this is the blue moon I experienced.


Photo: Robert Rath, '366 Days of 2012, Day 244 - Blue Moon'. 1/80s+1/3s f/6.3 ISO-160 200mm composite

An unusual perspective of St Francis Xavier's Cathedral, Adelaide


Photo: Robert Rath, '366 Days of 2012, Day 243 - Church of Perspective'. 1/5s f/2.8 ISO-640 15mm

This is the very first lily in the garden for Spring.

I've heard it suggested that photographs of flowers are not a good idea and certainly not something you'd put into your portfolio unless they are truly awesome images. This image does not fall into that category but it does have a great form I want ed to show off here.

I am looking forward to having plenty spring flowers including lilies at hand to keep our home feeling bright and cheerful. I might even photograph a few more of them.


Photo: Robert Rath, '366 Days of 2012, Day 242 - Lily'. 1/500s f/4.5 ISO-640 100mm

In the last 10 minutes of light before the sun dips below the horizon every looks fantastic.

We have plenty of trees at our home and in this light the textures of the bark looked amazing. I took several images and finally settled on this one being the most unusual. It is the husky base of one of my large palm trees.


Photo: Robert Rath, '366 Days of 2012, Day 241 - Husky Texture'. 1/15s f/13 ISO-1600 105mm

Every time I drive along the Port Adelaide expressway I see images that I want to capture and share the way I see them.

Metropolitan waste dumps, commodities silos, building materials manufacturing, swampy grasslands and the Torrens Island power station all work together to create this apocalyptic scene with the sun setting on this industrial sprawl.

I was lucky with this image as the sun peeked out from behind the clouds just before vanishing into the West.


Photo: Robert Rath, '366 Days of 2012, Day 240 - Urban Badlands'. 1/(8000/3200/1600) f/5.0 ISO-640 110mm hdr

Today we had a guided tour of my Mum's garden and all the beautiful spring flowers now coming into bloom.

There were daffodils, jonquils, birds-of-paradise, plum blossom and a host of others she described that I could not hope to remember.

A closer look at this busy, busy bee reveals hind legs laden with pollen as it makes its rounds.


Photo: Robert Rath, '366 Days of 2012, Day 239 - Spring At Last'. 1/1000s f/4.5 ISO-640 100mm

I am still not very comfortable at this street photography thing.

I hear and read conflicting ideas about asking permission, or not; about using a discrete camera or bringing out the bazooka; about legal, moral and ethical issues; about model releases and personal brand. I'm not surprised that many other photographers find street photography difficult as well.

Imagine if you could walk through an urban landscape in 'bullet time'. Imagine walking through a frozen-in-time world and being able to compose and photograph the images that you see unencumbered.

I'm not sure I have enough experience yet to offer any advice but for now my strategy is to use a big lens, keep moving and look completely disinterested in the images I capture. Oh, and to smile politely when I'm sneered at!


Photo: Robert Rath, '366 Days of 2012, Day 238 - A Private Moment'. 1/100s f/2.8 ISO-3200 200mm

I only saw one other photographer on the beach tonight. I hope there were others up and down the Adelaide coastline who shared in a sunset a photograph could never hope to capture.


Photo: Robert Rath, '366 Days of 2012, Day 237 - One Perfect Sunset'. 1/250s f/13 ISO-100 15mm

Today we all got hammered!

First it rained, then it hailed, then it blew a gale, it hailed some more, it blew some more and most were content to be huddled in a warm cosy place and not out in this late Winter storm.

Then as if by magic the sun came out, the sky turned blue and I grabbed the opportunity to photograph some of the surf action at our local beach. For about an hour the sun shone, the surfers played in the storm chop and I came to realize that I'm not as fit as I'd like to be for this kind of thing!

As quickly as the break came, it disappeared again. The sun vanished, the grey clouds returned, the rain started lashing and we were back in our stormy Winter again.


Photo: Robert Rath, '366 Days of 2012, Day 236 - Storm Surge'. 1/1000s f/10 ISO-640 17mm

Getting our and taking photos does not have to be a solitary affair.

Tonight we had the pleasure of sharing company with good friends out to dinner at a local Adelaide Pub, 'Benjamin on Franklin'.

The beef & Guinness pie was divine, the beverages excellent and the company for the evening sensational. It was great to catch up with old friends and make some new ones.

Past closing time were not pressured to leave but this quick glance at the bar made it clear we were well beyond last drinks!


Photo: Robert Rath, '366 Days of 2012, Day 235 - Beyond Last Drinks'. 1/25s f/4.0 ISO-1600 105mm

One of the challenges of taking photos everyday when you have a 'day job' is finding the time.

Bring on the night! Taking photos outside of normal 'day job' hours means night photos at least it does during our Winters where the days are still quite short.
Night photography can be challenging but also very rewarding with some quite spectacular views of daylight ordinary subjects.

This image is taken from the beach just a short walk from where I live. A long time exposure of 30 seconds has captured the arrival of an aircraft into Adelaide Airport.
I like this photo for quite a few different reasons. It's were I live, its visually pretty, it feels like our cold winter evenings and that incoming light trail has left an interesting little tell-tail about getting sharp images.

If you look really closely at the initial incoming trace of the aircraft lights you you will see a vertical oscillation which lasts about 2 seconds before decaying away. This vibration had been caused by either the mirror, the sync-curtain or both. Even using auto mirror lockup on a 2 second timer the vibration is evident. I'd have to repeat this image again using a 10 second timer and if the vibration remains, then I'd know is was caused by the sync curtain and not the shutter.

In any case this reveals just how critical the issue of lack up sharpness due to mirror/sync-curtain vibrations in the exposure range of 0.1 - 4 seconds is. This will of course be affected by the lens and mounting. The only perfect solution for super sharp images in this exposure range is live-view where both the mirror and sync-curtain are both already actuated.

Enjoy your arrival into Adelaide!


Photo: Robert Rath, '366 Days of 2012, Day 234 - Adelaide Arrival'. 30.0s f/4.0 ISO-320 75mm

Tonight I had a plan!

Moonset was all set for 8:40pm thanks to the ever reliable universe. At 8:10pm I headed out with my camera with an idea to capture the crescent dipping into the ocean. I arrived at my destination, looked out to the horizon. Nothing!

Peering into the blackness I could just make out a glimmer of light edging clouds in the distance. The moon had set behind clouds and my plans were thwarted!

Ever hopeful I set up anyway with the camera pointed in the direction I expected the moon to be. I waited a while and then it appeared. For a about 60 seconds the moon appeared through a gap in the clouds and I was able to take this image exactly half way. Once below the lower cloud bank I never saw it anymore.

If you look closely in in the dark bottom tones you can just make out the horizon which I had originally planned to capture.


Photo: Robert Rath, '366 Days of 2012, Day 233 - Waxing Crescent Moon'. 4.0s f/4.0 ISO3200 200mm