Robert's Ramblings

To me this building is just visually wrong!

It can't seem to make up it's mind if its a regular office building or some psychedelically coloured medieval fortress. Perhaps the designer was fired halfway through the work for substance consumption and the work needed to then be completed by some rectangle addict instead!

OK, perhaps I am being harsh but the 'Roma Mitchell Commonwealth Law Courts Building', home to the High Court, Federal Court, Family Court and Federal Magistrates' Court of Australia, is a building that can really only be loved or hated in spite of the innovation applied to its design, there is no middle ground.


Photo: Robert Rath, '366 Days of 2012, Day 317 - Fortress of Law'. 1/10s f/11 ISO160 17mm hdr

This extraordinary stained glass window on the Eastern wall of the St Bartholomew Anglican Church in Norwood tells a story crossing legend and myth and religion.

Perhaps the story of George and the Dragon is a retelling of the Greek myth of Perseus and Andromeda. Perhaps it is an allegory for man's conquest over the ego. Perhaps St George really did rid the Earth of the last remaining dragon.

All we can know for sure is that scattered throughout the world are works of art such as this that tell of some legend, the details of which are long forgotten, the spirit of which lingers in art such as this.


Photo: Robert Rath, '366 Days of 2012, Day 316 - Dragon Slayer'. 1/10s f/8.0 ISO160 85mm hdr

Who is the artist?

This question becomes deeper and richer then more you ponder what appears a simple creation of graffiti art. There is no doubt however that these two artists are practicing their craft in the pursuit of expression and the are doing it legally courtesy of the Adelaide City Council and their 'Free Wall' project.

This wall located under the Morphett Street Bridge has great visibility to passing traffic on North Terrace. It's constantly changing so make sure you visit the art, or possibly the artist, often.


Photo: Robert Rath, '366 Days of 2012, Day 315 - The Artist'. 1/15s f/2.8 ISO1600 70mm

I've often driven past here and watched people enter and leave this building. Wondered what life calamities may be unfolding for them and how intimidating is must be to walk through those dark ominous doors.

The red glow from the window above only serves to make this place all the more menacing as a single red eye looks down on all who come and go from this place.

No matter if you love, hate or are indifferent to this building, the Adelaide Magistrates Court is an impressive part of Adelaide's architectural heritage.


Photo: Robert Rath, '366 Days of 2012, Day 314 - The Court'. 1/6s f/16 ISO160 17mm hdr vignette

Had this photo been taken in the past it would have been just a big wash of muted colour.

Now the cracked patchwork of laminated glass fragments is catching and reflecting the surrounding light creating both the intricate details and the beautiful peripheral bokeh.

Honest it was not me who transformed this once transparent medium into the art it now creates.


Photo: Robert Rath, '366 Days of 2012, Day 313 - Smashed'. 1/10s f/2.8 ISO1600 200mm

Hindley Street has a reputation.

Many times I have walked down the length of Hindley Street late at night and never knowingly witnessed anything supporting it's licentious reputation but it's there and you can feel it.
Harried glances to outright 'what are you looking at' stares mingle with oblivious party revelers. Even in the early hours of a Wednesday morning there is plenty going one here.


Photo: Robert Rath, '366 Days of 2012, Day 312 - Hindley Street'. 1/30s f/2.8 ISO1600 200mm

My image for this year's 'Scott Kelby Worldwide Photowalk', 'Tunnel Vision' from day 287 got into the honorable mention list. Good company indeed.


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The only way to really get good at latte art is to work at a cafe.

I have tried to practice my own latte art at home but by about the 5th coffee I get all twitchy and decide no more coffee for today!
I love latte art and welcome any suggestions of good cafes and baristers around Adelaide for a future photo project.


Photo: Robert Rath, '366 Days of 2012, Day 311 - Latte Sunrise'. 1/30s f/8 ISO800 40mm

I've never attempted to capture the ultimate strobe before. Now I know why.

Adelaide bore witness to the most spectacular light show tonight with lightning in all quarters of the night sky. Still, capturing the raw intensity in an image is easier said than done!
I stood for nearly two hours in the rain on the beach holding an umbrella over my camera and staging 120 second exposures. For each shot I had to wait another 120 seconds for noise reduction before starting again.
One particular strike was so close and so bright it completely blew out the image to white.

Finally, a strike at just the right intensity and just the right shape and being soaked to the core did not seem so bad after all!


Photo: Robert Rath, '366 Days of 2012, Day 310 - The Ultimate Strobist'. 120s f/8 ISO160 15mm crop

It's early Sunday evening, the weekend's adventures mostly over and time to kick back.

Actually the weekend is far from over but that didn't stop us drowning a couple of hibiscus flowers in some fizzy Italian prosecco.

Photo: Robert Rath, '366 Days of 2012, Day 309 - Hibiscus Fizz'. 1/125s f/32 ISO200 100mm + strobes

I'm not sure if this is the most photographed feature on the South Australian coastline for fine art images but it is sure up there.

The beach of the remains of the old Port Willunga Jetty is also a popular Summer wedding location as this images bares testament to. Thousands of rose petals litter the sand in celebration of a new marriage.


Photo: Robert Rath, '366 Days of 2012, Day 308 - Wedding Debris'. 1/20s f/22 ISO160 170mm hdr

I do not know how many attempts I have made at getting this type of image to work.

Capturing movement in an image is part of the creative process and a balance often is sort between blurring moving elements in the image and keeping other parts sharp for references. This is important as the eye will naturally seek out the sharp detail first and then expand to include moving/blurred parts of the subject before finally taking in the entire image.

Capturing a fast subject and keeping that sense of moment presents some creative choices. If I want my subject tack sharp I need a fast shutter speed limiting with only the depth of field to play with. Too much depth and the picture lacks drama so very tight will draw attention to the subject but both images will lack a feel of movement. On the other hand a slow shutter speed will result in blurred subject which might work but if the background is sharp the image will feel all wrong with the eye not knowing where to look.

In this image I chose to use a panning technique which relies on my ability to track my moving target as accurately as possible. To get a great sense of speed the panning blur needs to occur over a reasonable part of the image. Too short a pan and the speed will not be conveyed, too long and it's impossible to track the image and keep it sharp. Finally I personally like using a large depth of field to give an edgy crispness to the background blur further enhancing the feel of speed.


Photo: Robert Rath, '366 Days of 2012, Day 307 - Movin It'. 1/25s f/22 ISO100 70mm

I'm sure he's encouraging them with strong motivational language. Perhaps they need it, perhaps they are not listening.

The only thing I can be certain about this image is that I am enjoying sitting on the grass watching them ride past.


Photo: Robert Rath, '366 Days of 2012, Day 306 - The Trainmaster'. 1/2000s f/6.3 ISO640 140mm

There's beauty in the most mundane of things.

Consider the not so humble 'Corporate Sign'. How much design energy goes into creation of a logo, its rendering on the building facade and the consideration of practical issues such as guttering and run-off.
So from my point of view, when the light's perfect and the angles set just right, a good corporate sign is worth making an image of.

Truth is, I was stuck at the traffic lights on Sir Donald Bradman Drive with the camera by my side.


Photo: Robert Rath, '366 Days of 2012, Day 305 - Corporate Signage'. 1/800s f/3.5 ISO800 130mm

It's not hard to imagine these sails powering an alien ship across a strange ocean.

Perhaps they are? At least it's a far more interesting perspective than simply providing shelter from the sun and rain.

From any perspective, shade sails have a beautiful form that begs to be captured, especially this evening lit by the full moon.


Photo: Robert Rath, '366 Days of 2012, Day 304 - Full Sails Under a Full Moon'. 20s f/13 ISO1600 17mm

Perhaps not exactly a 'Tall Ship' in the traditional use of the term but a delight to the eyes none the less.

I don't get to crew very often on anything bigger than a sailboard and even that's been quite some time ago.

Seeing this beautiful boat tied up at the wharf brought back memories of the few times I have enjoyed being at sea in a large sailing boat.

Perhaps I'll be out there again sooner than I expect.


Photo: Robert Rath, '366 Days of 2012, Day 303 - Once Were Tall'. 4s f/14 ISO1600 22mm hdr

Sooner or lighter I will make the effort to try some light painting (spelling mistake intended).

I am fascinated by the abstract images created by long time exposure hand held captures around interesting lights. Unlike light painting though I have very little control and rely on imagining, capturing and then seeing if I like the result.

To me for this kind if image to work it needs two things, acuity in the line details of sweeping lights and a balanced composition. The acuity of line details is achieved by keeping the motion of the camera consistent, the composition, well I really just try and fill the frame as best I can visualize. Digital is great, I just try again if I don't like it.


Photo: Robert Rath, '366 Days of 2012, Day 302 - Crazy'. 13s f/18 ISO160 17mm