Entries by Robert

This place always feels so desolate even when it is packed with cars and every large shopping centre has one just like this one.

The dungeon of car parks.
Some places with shops above.
Some places with more car parking above.
Always at the bottom.
Always glad to leave.


Photo: Robert Rath, 'Day 989, Retail Dungeon', 1.6s f/14 ISO160 15mm

Twas the night before Christmas, when all through the square
Not a creature was stirring, there was nobody there.
All the presents were laid 'neath the tree with great care,
But with no Christmas lights 'twas completely bare.


I never expected to see our city's beautiful Christmas tree completely in the dark, let alone photograph it but here it is.

I knew something was wrong as I approached Victoria Square. It was dark and all the traffic lights were out. My initial reaction was disappointment. After all I had made a special trip into the City just for this image. I even drove off and waited for a while to see if the power was restored. A second time I was disappointed and about to drive home when it suddenly dawned on me, what an opportunity to show something special.

So here it is, our city's unadorned Christmas Tree.

Merry Christmas.


Photo: Robert Rath, 'Day 988, Unadorned Christmas', 120s f/13 ISO160 15mm

There is nothing like a wall for making a public statement and in this case a sanctioned graffiti wall in a highly visible location under the Morphett Street Bridge.

Thousands of people drive past Bad Santa every day. Does anyone wonder what Bad Santa uses his 'Naughty List' for? Perhaps they will be getting present to this year!


Photo: Robert Rath, 'Day 987, Bad Santa', 2.5 f/9 ISO160 70mm

Get close, get even closer. Still not close enough. Get closer still but don't touch or else that bull in a china shop just might be my camera.

Now, butterfly tea anyone?


Photo: Robert Rath, 'Day 986, Butterfly Tea', 2s f/14 ISO640 15mm

Some images you could never capture even if you planned for them. Keeping a camera at the ready for the 'unplanned' has produced some wonderful gems.

While heading home tonight I decided to swing past the beach, just for a look but never planning to stop and before I new it I had pulled over and was down on the sand with my camera.

Usually I use a tripod for beach landscapes but this time I was too rushed and so went hand-held. What a fortuitous turn! If I'd been lumbered with a tripod I'd never have captured this image of the 'Wall Walker' on my way back to the car.


Photo: Robert Rath, 'Day 985, She Walks on Walls', 1/80s f/13 ISO1000 15mm

I really can't help but anthropomorphize people traits into animals I interact with.

When this little sparrow looked at me like this the word quizzical popped into my head as I wonder if the sparrow is doing this same with me.


Photo: Robert Rath, 'Day 984, Quizzical', 1/10s f/16 ISO160 15mm

Spellbound as she followed unseen critters in the gentle back and forth wash.

This simple delight in our world does not have to be lost with the end of childhood.

Head down to the ocean, wander into a forest or just find a place new to your normal experiences then sit, wait and watch and see what happens.


Photo: Robert Rath, 'Day 983, Spellbound', 1/10s f/16 ISO160 15mm

Christmas trees everywhere with tinsel and baubles and glitter and fairy lamps.

Look carefully into every non-frosted spherical ornament and you will see what I see, a mini world surrounding a selfie.


Photo: Robert Rath, 'Day 982, Six Selfies', 1/125s f/5 ISO1000 90mm

While exploring important images from the last 100 years I came upon Edward Weston's 1927 image "Nautilus" and was intrigued by its austere beauty.

At first I set out to replicate the style of this image but as I played with my very own nautilus shell, peering at it from various perspectives I suddenly saw the light, literally!

Edison would have been proud to see how I transformed an ancient creature from the deep into his modern invention.


Photo: Robert Rath, 'Day 981, Nautilus Illuminata', 1/160s f/13 ISO200 100mm 2x off camera strobes

I actually created this image early in my 1000 images project but for some reason it never made it into the collection even though I have shown it before.

On reflection it would be a pitty to not include one of Adelaide's most popular and accessible dive sites so it's now officially number 980.

There is a little bit of history behind this image I'd like to share.

I submitted 'My Very Own Fish Bowl' to a well known US Celebrity Photographer's show for a blind critique. He looked at it, scratched his head and asked if he was looking at an aquarium shot before seeming being critical of people who take photos into aquariums.

Oh well, maybe if I have called it something like 'Killer Piranhas' I would have avoided the prejudiced reception.

For me this image captures so much of what I love about scuba diving Port Noarlunga Jetty.

Huge schools of sweep and silver drummer to entertain the new divers training here. A tranquil protected space behind the reef to simply relax, shakedown gear not used often enough and the anticipation of what lies on the other side.

I really do feel like it's my very own fish bowl!


Photo: Robert Rath, 'Day 980, My Very Own Fish Bowl', 1/160s f/7.1 ISO400 15mm

While out looking at the Geminids I thought I would have a little play with long exposures to the South.

During the middle of this exposure heavy cloud started rolling in from the South and the combination of stars and the reflected light from the towns of Mannum and Murray Bridge produced an effect I could never have planned.

After this beautiful image was complete the clouds covered the entire sky leaving the stars and the Geminids hidden from view and calling an end to our star-gazing adventure. Best thing really as it was nearly 2am with a long drive home.

A very late night but well worth it.


Photo: Robert Rath, 'Day 979, Celestial Whirlpool', 15minutes f/4 ISO320 15mm

I once heard another photographer claim that 'pets' were the low hanging fruit of photography.

In some sense it's no wonder as unlike people, animals are not capable of being anything other than their genuine self.

If the animal happens to be a dearly love pet expressing their personality then of course it is very easy to capture the magic.

Low hanging fruit? Guilty


Photo: Robert Rath, 'Day 978, Jenny', 1/1250s f/5.6 ISO640 200mm

A gentle wave breaks the sun's reflection bringing the base of the stroke to an abrupt end.

Just like the ninth letter of the alphabet, I see 'i'.


Photo: Robert Rath, 'Day 977, i', 1/6400s f/22 ISO100 200mm

Well at least I think it's Simosyrphus grandicornis, but then it could be Ischiodon scutellaris.

Not being an entomologist the above are my best guesses but I can confidently say it's a Common Hover Fly.

I noticed this little guy hovering motionless in mid air above one of my chilli plants and thought how cool a photo it would make. After getting my camera and finding it still there I tried many shots of 'the hover'.

Ultimately I did not get a good 'in-flight' shot but after it settled I got this one.


Photo: Robert Rath, 'Day 976, Yellow-shouldered Stout Hover Fly', 1/500s f/8 ISO800 100mm

Orion is definitely my favourite constellation and when I saw it hanging in the sky above our beautiful Henley Beach shore-scape I instantly had the title for this image.

Low tides at night are a fantastic opportunity to walk out onto the wet sand and look back towards the foreshore and the lights reflected in the low lying water.
It's so easy to do but I wonder how many people have ever seen the Henley beach foreshore like this.

And as for Orion? I just like the fact that it's up there above it all.


Photo: Robert Rath, 'Day 975, The Colours Under Orion', 20s f/14 ISO640 15mm

The versatility of Alex Castillo's voice is extraordinary when it comes to singing covers with Adelaide band, 'The Incredibles'.

What's not so incredible at the Arkaba is the intense colour in the lighting when it comes to creating a good image. When I first reviewed this image, Alex looked like a cross between Kermit and Donatello, great if you like green!

Now as much a fan of black and white images as I am I tend to avoid using B&W just to be artsy but for this image it was the only way I could get Alex to look normal again.


Photo: Robert Rath, 'Day 974, Alex Castillo', 1/125 f/2.8 ISO1600 200mm

It has kind of snuck up on me this year but apparently the festivities have already begun and Christmas is indeed coming.

People's homes are becoming festooned with all manner of light shows. Some happy to just twinkle a little while others seem to be participants in full on visual warfare.

These huge hanging decorations at the Arkaba might be little output of place here but I am reminded that a few decorations for Christmas are in order.


Photo: Robert Rath, 'Day 973, Christmas is Coming', 1/200 f/2.8 ISO1600 200mm

I never meant to take band photos tonight.

It was supposed to be just a Christmas function with good friends but when the band started playing the most diverse collection of covers I have ever heard I was torn between dancing with friends and photography. Fortunately I was able to combine them both. Sort of ...

Adelaide band 'The Incredibles' did not wear the red spandex of their namesakes (which I am truly thankful for), instead they were sharply dressed and put on a fantastic show taking us from the 80's to the present and back again.

I don't very often get to interact directly with a performer but when vocalist Louise Messenger spotted me I definitely experienced that 'who you looking at' feeling but in the best way.


Photo: Robert Rath, 'Day 972, Who You Looking At?', 1/160 f/2.8 ISO1600 200mm

Yes, this place in particularly!

Here's a mood of the Henley Beach jetty I have never captured before. It's dark and grainy and very surreal in it's austerity.

There is no sunset, no waves crashing, no jetty lights. This is place is separated from our normal experience of it by the stretching of time and the quiet darkness of night.

It took a very long time exposure under the dark moon shadow of the jetty to bring this mood to life.

This is indeed is a place I am tonally addicted to!


Photo: Robert Rath, 'Day 971, Tonally Addicted To Place', 240s f/16 ISO400 15mm

I have been listening to articles and reading accounts of photographers who have described being in the creative doldrums.

Some were just going through the motions, others were questioning their recent work and wondering if they weren't just producing pretty stuff that people liked. A close friend of mine even wondered if they had been deluding themselves all along.

This all got me thinking and having only just come out of rut myself I wondered, what is it that I really love able creating images?

I love being there behind the camera and choosing the moment, choosing the scene and and committing my vision in that click of the shutter.
I love the way I see the world differently when I am holding my camera and looking for the beauty, the geometry and the stories unfolding all around me
I love the way all the other stresses of life evaporate when I am in that special place of being really able to see.

This image is a case in point. With 4 minute exposures there was no rush to compose, plenty of time to see and space to look around visualizing my next image.

So for me it is about the moment I commit my vision to the camera. The rest is the necessary work needed or I'd never be able to share what I see.


Photo: Robert Rath, 'Day 970 Low Tide II', 241s f/11 ISO100 15mm

Now that summer has reluctantly arrived there are more and more people coming to the beach in the evenings.

The hot evenings are chaotic and I need to remind myself to arrive early and that I will not be getting a park anywhere close to where I want to photograph.

My very favourite ones though are the hot still breathless nights with the water lapping on the sandy shoreline. I can't wait.


Photo: Robert Rath, 'Day 969, It Gets Busy Here In Summer', 1/259s f/16 ISO1000 200mm

Some people would tell you there's no more gold left in the old diggings at Jupiter Creek in the Adelaide Hills.

The problem is simply a matter of timing. Just make sure you head up there about 15 minutes before sunset and you will find all the gold you can photograph.


Photo: Robert Rath, 'Day 968, Jupiter Creek Gold' 0.4s f/11 ISO100 15mm

I stumbled upon this striking mural adorning a building in Compton street. Always curious I discovered this to be the work of Australian artist Angus Rayner titled 'Weekend All Year'.

As it turns out Angus Raynor has a fascination with depicting the female form and the stylized naked women in this image are a good example of his work.

At first I saw this work as just a colourful abstract piece. The naked forms did not become apparent until I really took the time to see the work.

Note to self; look less, see more.


Photo: Robert Rath, 'Day 967, Weekend All Year' 1/125s f/6.3 ISO250 75mm

I am sure this recent appearance on the Adelaide city-scape is actually not the SAHMRI building at all but an extraterrestrial spaceship.

All you need to do is go for a stroll around its base and nothing about it feels like a building. It could take off again without notice.

So forget the fact they you may think you have seen it being built. Forget the fact that apparent human like occupants come and go.

It's alien and it's landed here in Adelaide.


Photo: Robert Rath, 'Day 966, It's Landed' 5s f/11 ISO400 15mm

There are so many subtle messages in this typical image from a typical beach in a typical metropolitan beach-side suburb.

I wonder what this little girl is thinking as she holds her daddy's hand tight watching the pounding runner pass by. Her dad too is caught in a moment of reflection but is his gaze instead shifted a little further down the beach?

Couples strolling, dogs cavorting, waders venturing into the water just enough to say they got wet but you couldn't really call it swimming.

Ah yes, just another evening at your local beach.


Photo: Robert Rath, 'Day 965, My Local Beach' 1/500s f/2.8 ISO160 200mm

Yes I have a preoccupation with aircraft contrails.

Looking up is more than just the visual drama. Up there are hundreds of souls entrusting their lives to the modern miracle of international air-travel.

Up there adventures are being created or completed, business deals are in the offing, agreed on or have been laid awry.

I see a distillation of the human experience shrouded in a cylindrical tube hurtling 11Km above at 900Kph.

Safe travels on to Melbourne flight SQ217.


Photo: Robert Rath, 'Day 964, Flight SQ217' 1/640s f/5.6 ISO320 200mm

Come the end of a hot Adelaide afternoon nothing beats cooling off better than playtime in the ocean.


Photo: Robert Rath, 'Day 963, Playtime' 1/320s f/16 ISO1000 200mm

There is a wonderful feeling of abandon that goes along with the expression 'gone fishing'. It's like saying that work, family, money and all the other pressures of life can wait.

This may well be the case for the recreational fisher who does not carry any of the stresses that fishing for a living might entail.

In this image there however only one man in a vary little boat so I reckon he's just gone fishing.


Photo: Robert Rath, 'Day 962, Gone Fishing' 1/125s f/4 ISO640 200mm

There's a time of day where the details on the lunar surface, the clouds and the diffracted blue of the early evening sky all come together to be captured in a single image.

I wonder how many people bothered to look up, let alone see or notice our beautiful moon sliced perfectly in half.

There is also a little nostalgia behind this image. The very first image in my 1000 images collection (not quite there yet) was also a perfect half moon.

Sometimes half measures are just right.


Photo: Robert Rath, 'Day 961, Half Measures II' 1/320s f/5.6 ISO320 200mm

The sun has set and gone, the clouds once lit like lava fire are fading to grey, the last colour of the day recedes.

Now begins the beautiful soft light of twilight to usher in the evening.


Photo: Robert Rath, 'Day 960, After The Sun' 13s f/18 ISO100 15mm