I watched the dappled gold light of sunset on the choppy water for some time wondering how I could capture the feel and texture there.
With shutter too fast I got a frozen ice look, too slow and it was a mushy blur.
With aperture too wide there was no depth to the image, too small and there was not enough light.
With ISO too high the image was full of noise, too low and I could not stop down enough.
It seemed that light and my vision had conspired against me until I notice something about the surface of the water.
I simply panned my camera with the speed of the rippling golden wavelets and it all came together.
Photo: Robert Rath, 'Panning for Gold' 1/160s f/5 ISO640 155mm
Out beyond a watery horizon two container ships make a silhouette against the almost sunset.
It seems they have half sunk but their massive hulls are hidden behind ocean and the curvature of the Earth.
I was hoping for a the sun to backdrop these ships outward bound. Not to disappoint a rent appeared in the clouds and the sun gave a final wink to send them on their way
Photo: Robert Rath, 'Two Ships' 1/1000s f/2.8 ISO320 200mm
What better way to acknowledge the winter solstice with a kind-of self portrait under the auspicious light of the Moon, Jupiter and Venus.
Jupiter is directly beneath the Moon while Venus is the same distance below again and a little to the left.
Day by day Venus and Jupiter are getting closer and closer together. They won't quite make a conjunction in a weeks time but will get pretty close before they wander off again.
I never planned this image tonight. I was drawn to beach, spent some time there and as I was leaving this opportunity presented itself demanding attention. It got it.
Photo: Robert Rath, 'The Moon, Jupiter, Venus and Me' 1/200s f/11 ISO100 17mm
Such a strange name for a strange creature; Goniocidaris tubaria.
Actually this odd looking ball of spikey arms is one of our local sea urchins. There really is nothing typical about the appearance of a sea urchin. They all have a hard body called a 'last' but the 'last' is an internal structure and not like the exoskeleton of crustaceans such as crabs and crayfish. There after their diversity of appearance is amazing with countless combinations of body shape, arms and arm structure.
Surprisingly sea urchins are quite mobile as they cruise over rocky or coral reef eating algae by scraping it off with the five sharp teeth surrounding their mouth.
As for the strange name, and true to form in the natural world, if you can't eat it or it has no commercial value it only ever gets called by an unpronounceable utterance of Latin, Goniocidaris tubaria.
Photo: Robert Rath, 'Goniocidaris tubaria' 1/100s f/7.1 ISO320 15mm
Perhaps once or twice I may have mentioned how much I love Rapid Bay.
I personally believe this part of our coastline is a somewhat forgotten treasure with so many people opting for more commercial places to visit on the weekend within that 1-2 hours drive radius around Adelaide.
The first time I explored the western coastline of the Fleurieu Peninsula from Sellicks Beach down to Cape Jervis and around to Deep Creek I was taken by its rugged beauty and minimal human development. The imposing Kangaroo Island across Backstairs Passage and the Pages jutting out from that treacherous waterway completes a magnificent seaward vista.
I am so lucky to have such a beautiful part of the world so close to home. Too bad I spend most of my time there underwater!
Photo: Robert Rath, 'Rapid Bay Morning' 1/400s f/16 ISO100 15mm
Ok so it's the start of winter and as the water gets colder the neoprene gets thicker, the gloves get donned and the hood gets worn in a kind of claustrophobic sufferance.
By now thoughts of exotic warm dive locations are distant memories and the shine of the idea of being a diver is starting to dull. Ten seconds later and as the sky disappears behind a choppy curtain so do all those little reasons why it is no fun to dive in winter.
Onece I am down there in that alien world I have forgotten the preparation, forgotten the hours driving, forgotten the weight of all the gear and even forgotten the cold. It is a privilege that I treasure.
Now I wonder what the gentleman looking down from above is thinking. Is he wondering what it's like to dive?
Photo: Robert Rath, 'Wondering What It's Like To Dive' 1/125s f/11 ISO320 15mm
Today's Rapid Day dive was wonderful and the the visibility has mostly returned after two weeks of milky broth. Armed with his macro and close up lenes Alexius left nudibranchs and other critters now ordering sunglasses for next time.
Now all I need to do is convince him that you can do wide angle photography in South Australia, even photograph nudibranches.
Photo: Robert Rath, 'Armed and Ready' 1/320s f/11 ISO320 15mm
Cheap hanging baskets don't usually attract my attention but I liked the feel of these as they hung from the gutter at eye level the entire length of this Handorf main street shop.
The shop sold chocolate strawberries and you really needed to stoop if you wanted to peruse inside.
Hanging baskets have nothing to do with chocolate strawberries so what about the title. Well they are 'All in a Row'!
Photo: Robert Rath, 'Pretty Maids' 1/800s f/2.8 ISO320 200mm
I am not a cat person as such unless we are talking about big cats. I mean really big cats and Jaguars are one of my favorites!
While out hunting I encountered this beautiful big cat resting on the side of the road. Carefully I approached from down wind ever so cautious to avoid attention, took aim and made my shot.
It's always good to come home with a trophy from a successful hunt!
Photo: Robert Rath, 'Purrfection' 1/3200s f/2.8 ISO320 200mm
There's a certain time of the evening; long enough after sunset for the twinkle of street lights and and transmission towers; not yet late enough for the first stars to appear.
A time when silhouettes are backed by the fading blue hues of the day tinged with green, orange and grey.
Welcome to the twilight zone.
Photo: Robert Rath, 'The Twilight Zone' 10s f/14 ISO160 15mm
'Air Time' might seem an odd name for this image but it seemed appropriate as I come up for ,air so to speak, from my underwater images.
We are fortunate here in having the diversity of weather which helps in creating dramatic images. Sunsets are obvious of course but when ever there is heavy but patchy cloud and the sun low in the sky the light will be gorgeous and everything looks wonderful.
Photo: Robert Rath, 'Air Time' 1/4000s f/11 ISO160 200mm
Another first for me. Finally after years of diving I have finally found Veronica.
I called her Veronica as it is an anagram of Verconia verconis, her real name.
She has no common name as is the case with most of our beautifully weird and wonderful sea critters. Unless they are commercially significant or in the popular mind then creatures like Veronica never get a simple name, forever to be known only by some tongue twisting phrase of Latin.
Another wonderful find under Port Hughes Jetty, South Australia.
Photo: Robert Rath, 'Veronica' 1/125s f/13 ISO320 100mm
Filmed under Port Hughes Jetty, South Australia this amazing display of octopus mating behavior with one male defending his access to a female against another male's advances was an unexpected surprise.
I shared this extraordinary encounter with diving friends Alex Sutandio, Mike Rowlands and Robert Paton.
I love what I do in the corporate world, expressing my creativity with solutions to problems painted in ones and zeros and control structures and and arcane languages.
I love what I do in my visual world painting with light and tones which I have gathered as images from my local environment.
I am lucky and grateful to be immersed in both.
Photo: Robert Rath, 'Painted by the Light' 8s f/16 ISO200 15mm
I called this image 'Reception' for no other reason than it is the main reception entry to Mount Lofty House where a few of us spent a very pleasant afternoon with local photographer Hilary Hann sharing insights into her images, her travels and her thoughts on the 'art' of photography.
I first noticed Hilary's work a couple of years ago and while not a big fan of wildlife photography, her images moved me with an other-worldliness feel. As if raised from the mundane to some mythical status it was easy to imagine I was looking at a landscape lost in time, remembered as something precious and perhaps even lost. In her work I felt feelings of awe, admiration, wonder and even loss and grief.
Hilary's work can be found at her website http://hilaryhann.com.au/ but nothing beats a real printed and framed image.
At the end of the afternoon I did what any self respecting photographer enthusiast would do... click
Photo: Robert Rath, 'Reception' 2s f/8 ISO160 15mm