Robert's Ramblings

The wreck of the MV Excelsior in Mutton Cove (Osborne, South Australia) is in one of the oddest locations you might imagine.

A short walk in what seems like a field brings you right up to her rusted forgotten bow resting in swampy wetland.

Although no lives where lost on her journey here she still feels like her crew is still willing and waiting to leave.


Photo: Robert Rath, 'Waiting To Leave', 1/400s f9 ISO160 15mm

Glimfeather was a politically savvy talking owl who helped Eustace Scrubb and Jill Pole in their quest to find Prince Rilian in Lewis Carroll's 'The Silver Chair'.

I asked the owl how parliament was going and if it had any thoughts on our own political shenanigans but it only looked at me then looked away.

Either this was not Glimfeather or he's as speachless as the rest of us.


Photo: Robert Rath, 'Glimfeather', 1/100s f/2.8 ISO100 200mm

It's so hard to describe the beauty of this landscape, the scale of it, the life in it, the colour through it, the majesty of it.

From deep in the lush valleys the grey peaks seem a world away, almost disconnected from the peaceful cosy green of heather and forest.

From high on the peaks, in the unforgiving cold and in the biting wind, those same green valleys far below seem like markings on a map.

Here at the border of grey and green, halfway between both worlds it feels all in balance.


Photo: Robert Rath, 'All in Balance', 1/400s f/13 ISO100 8mm

Even standing still you'll still walk this way...


Photo: Robert Rath, 'Walk This Way', 1/60s f/4 ISO1000 17mm

"The heart of Austria!", my cousin exclaimed as we stood on the far side of Pasterze Glacier on the Carinthian side of the border between Carinthia and Tyrol, deep in the Austrian Alps.

High in that uninviting world of ice and rock four climbers are slowly making their way up a 45 degree ridge-line to the summit of Großglockner. From here it looks like they are heading up the wrong peak but that's just a trick of the angles with their destination some way beyond.

To many adventurous Austrians, climbing Großglockner is like a pilgrimage that needs be undertaken at least once in one's lifetime.

From our relatively cozy vantage point it's easy to imagine such a climb. Perhaps even entertain adding it to one's own personal todo-once list. I think however sanity and personal self preservation will prevail.


Photo: Robert Rath, 'The Heart of Austria', 1/2000s f/4 ISO100 200mm

Peak Restaurant in Bundoran has one of the most awesome panoramic ocean views I have ever experienced.

Being seated there was something between being on the bridge of an ocean liner leaving port and some palatial dining hall.

Combining a window table with sunset timing and we got both dinner and a show of Ireland' Wild Atlantic Way.


Photo: Robert Rath, 'Dinner And A Show', 1s f/10 ISO640 12mm

Airports often showcase high end cars to wealthy travelers but rarely the exotica of the motoring world.

That's where this car is different. On the one hand it posses like a European super car yet being an electric hybrid it seems at odds with itself.

I'm not sure what I think about this beautiful beast. For now I will just ogle like everyone else.

Photo: Robert Rath, 'Das Neue BMW', 1/125s f/8 ISO500 33mm

A veteran and pillion novice soar high above the village of Sankt Gilgen and Wolfgangsee.

I wonder how many times the veteran has launched himself from the slopes of the Zwölferhorn. Of little doubt is the experience of the novice. Probably this is his very first time.

I wonder if his pillion ride will be his last, a day to be remembered or the start of brand new obsession.


Photo: Robert Rath, 'Pillion', 1/1600s f/5.6 ISO100 200mm

My cousin Roman had talked about 'the monkeys' up in the high alps. How they chatter, whistle and shriek between themselves up in the alpine valleys.

I thought he was joking! Monkeys in Austria?

Call it something lost in translation or perhaps a local joke but then we spotted a pair lingering close to their winter burrow.

Marmots, marmots, not monkeys! Such was my surprise to find such cute and cheeky critters high up above 2500 m in a place buried by meters of snow in the winter.

Apparently these guys spend the entire summer grazing on the alpine grasses making themselves round and fat and ready for a long winter's hibernation ahead.

Later in the afternoon while out walking on my own I crested a small ridge and startled a small family of marmots grazing in the pastures below.

After hearing the warning chatter and the whistles and shrieks echoing through the valley I finally understood why my cousin calls them monkeys.


Photo: Robert Rath, 'Seeing Double, Hearing Double', 1/500s f/4 ISO320 200mm

In the deep alps of Austria, lies her heart, the peak of Großglockner, Austria's highest mountain.

As mountains go it might be dwarfed on paper by 58 higher peaks scattered throughout the alps but in absolute prominence relative to the surrounding terrain it stands only second to France's Mount Blanc.

In the heatwave of a 30+ degreeC Austrian summer the mountains have taken on an otherworldly appearance where velvety alpine heather reaches up into dark grey scree punctuated with resilient ice from previous winters.

Grand by any measure.


Photo: Robert Rath, 'Grand By Any Measure', 1/1250 f/7.1 ISO100 17mm

What would you call four young ladies flying hundreds of meters high above the village of Sankt Gilgen in the Austrian Salzkammergut?

Angels of course.


Photo: Robert Rath, ' A Box of Angels', 1/320 f/10 ISO100 200mm

Here in the imposing space of Doha International Airport a single traveler makes her way alone amid the glass, the concrete, the marble, the plastic, and the metals.

This rare found moment of punctuated quiet is really not scarce at all in those spaces between the disembarking throngs of travelers, just hidden between the pulse of human movement.

In the echo of her foot falls in this material space the soul of Doha International Airport can almost be heard.


Photo: Robert Rath, 'Soul of Space', 8s f/18 ISO100 100mm

There is a defining moment when the natural twilight over the land begins to dim and the lights of civilization briefly reach a balance.

The timing of that moment can not be determined in advance. It depends on the way the daylight is drawn away in cloud and sky and haze and the waking of the city lights.

One moment the city below sleeps under a golden twilight and the next it dominates the landscape.

Don't blink lest you miss it!


Photo: Robert Rath, 'A Balance of Worlds', 1/4 f/6.3 ISO100 14mm

What happens when you arm a technical robot with a glue gun, program it with the right code and set it to work on a sheet of stretched fabric?

This stunning piece created by Anna Piecek and a Kuka robot at Kunstuniversität Linz is an interesting fusion of fashion and robotics that might just be as appealing to the coders as to the catwalk pundits of Paris.

'Artist Anna Piecek’s main objective in this project was to come up with new and innovative ways to work with textiles by making volumes and unconventional shapes with methods that had never before been used in the context of fabric design.'

Without those coders however, Anna's dress may never have materialised ( sorry about the pun ).


Photo: Robert Rath, ' Dress Code', 1/160 f/2.8 ISO250 70mm

Looking down on Mozart's own town I can almost hear the music that made one of Austria's own renowned.

To the left is the Festung Hohensalzbur standing proud over the Salzburg Cathedral and the old city while the river Salzach cuts through right through Salzburg dividing old and new.

Ah the sounds, look at the sounds!


Photo: Robert Rath, ' The Sound Of Salzburg', 1.3 f/4 ISO800 200mm

I'd been looking for a sunset in the western evening sky when a jagged crack of orange appeared.

We watched as that blaze of zigzagging orange grew and grew and then shrank away into the grey it first emerged from. Oh well, not tonight I thought and put the camera away.

Twenty minutes later after I had settled into other things I looked out of our window to find a fiery orange orb silhouetting the Gaisberg off in the distance.

I grabbed my camera, raced outside and ... nothing! No memory card! Oh yes I was downloading images using a card reader. I raced back inside, clicked on 'eject memory card' and ... error, card is in use! So I just yanked out the card and hoped for the best.

With camera and card re-united I was able capture this wonderful Salzkammergut sunset.


Photo: Robert Rath, ' Salzkammergut Sunset', 1/1000s f/6.3 ISO100 200mm

Standing sentry to all passers-by, four of these these eagle sentinels adorn the Swiss Cottage Bridge over The River Suir.

I wonder if their gargoyle like appearance was meant to instill some form of apotropaic magic to protect the cottage from ill.

Probably not but it's fun to imagine!


Photo: Robert Rath, 'Sentry', 1/500s f/2.8 ISO100 120mm

This flighty little character will never compete with the absolute self assurance of Bugs Bunny himself. Still it is easy to anthropomorphically imagine a 'what's up doc' in a thought bubble above this scene.

Whats up indeed I thought as I pointed my lens and pressed the shutter. A single click later and my less than self assured rabbit took off for the safety of the briar patch.


Photo: Robert Rath, 'What's Up Doc?', 1/400s f/3.5 ISO640 200mm

Even at 1/3200 of a second this incoming bumblebee's wings are a blur. Short of using a high powered strobe I don't think it is possible to freeze their motion completely.

There were two kinds of bees hard at work on this patch of flowers. One was a slimmer and less hairy bee which methodically flew up to a flower head and worked its way systematically around each flower before moving on to another. It was quite easy to photograph these guys due to their very predictable movements. The others were the bumblebees.

The bumblebees behaved as their name might suggest. They flew in crazy erratic patterns from flower head to flower head with no hint of any systematic approach to pollen collection. This made them hard to watch and hard to photograph. Still I wanted a photo of a bumblebee and I persisted until I had one.

I chose what I though would be a high enough shutter speed, I bumped up the ISO and stopped down a little to have a better chance of a focused image. There was nothing 'beeline' about getting a shot I was happy with. It was like bumbling photographer meets bumbling bee and only those rare intersecting moments resulting in a usable image.

In the end it's patience wins and not make a beeline.


Photo: Robert Rath, 'Bumblebeeline', 1/3200s f/4.5 ISO3200 200mm